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SUMO100+
The SUMO100+ is a professional LED film and photography production light that combines high light output with outstanding light quality. This is an extremely rugged, lightweight fixture designed to withstand the rigors of daily use on set. The durable aluminum construction, intensity and high quality color rendering literally lighten your workload.
The SUMO100+ can function independently, as a Master controller for additional SUMOLIGHTs via integrated DMX/RDM, or as a slave using a DMX console or another SUMOLIGHT. The intensity and, for bi-color models, the color temperature, can be controlled.
The SUMO100+ combines low power consumption with the versatility of variable power input. The light works with the provided power supply or any suitable battery with a voltage range of 12-48 VDC, such as V-Mount and Gold Mount batteries.
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FEATURES & SPECIFICATIONS
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Order Code: 0100884
Part #:03-07-01-01
Order Code: 0100885
Part #:03-07-01-02-01
Order Code: 0100883
Part #:03-01-00-00
Order Code: 0100886
Part #:03-07-01-02-02-30
Order Code: 0100887
Part #:03-07-01-02-02-60
WHY IS A HIGH TELEVISION LIGHTING CONSISTENCY INDEX (TLCI) SO IMPORTANT?The introduction of high efficiency LED lighting has given rise to a number of unintended and possibly expensive consequences for both television and film production. Studies already undertaken had shown the lighting industry colour-rendering index to be inappropriate for television because of the floating white point. The aim of the LED Lights Project Group was to show how these studies could lead to the design of a “Standard camera” model, much along the lines of the human CIE “Standard observer”.
The TLCI quantifies how well a set of test colours are reproduced when illuminated with a given light and viewed through a standardized camera and TV system. It compares the differences in colours produced by the light source under test with those produced under standard lighting conditions. It assigns a value (from 0 to 100) to each light tested, and that value provides an indication of how much colour correction would be required to produce acceptable results with that light.
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